Singing Sappho: Improvisation and Authority in Nineteenth-Century Italian Opera Melina Esse Author

From the theatrical stage to the literary salon, the figure of Sapphoâ the ancient poet and inspiring icon of feminine creativityâ played a major role in the intertwining histories of improvisation, text, and performance throughout the nineteenth century. Exploring the connections between operatic and poetic improvisation in Italy and beyond, Singing Sappho combines earwitness accounts of famous female improviser-virtuosi with erudite analysis of musical and literary practices. Melina Esse demonstrates that performance played a much larger role in conceptions of musical authorship than previously recognized, arguing that discourses of spontaneityâ specifically those surrounding the improvvisatrice, or female poetic improviserâ were paradoxically used to carve out a new authority for opera composers just as improvisation itself was falling into decline. With this novel and nuanced book, Esse persuasively reclaims the agency of performers and their crucial role in constituting Italian opera as a genre in the nineteenth century.